The video featured is an excerpt from a longer 20 minute performance we made for Tristiam And Isuelt an artist lead exhibition in an artist lead space The Fish Factory. Its funny, I said to both Jasper and Goose after the event, its as if the steaming rice created a climate up on the hill over […]Read More Live At The Fish Factory
According to Adorno’s Composing for Films, the ear can seem a archaic organ, it has not kept pace the swift actively selective eye. Phenomenon seems a fitting word for such an unusual action. I’d come across the work of Tetsuya Umeda while reading a contribution David Toop made for the 400th issue of The Wire regarding […]Read More Sonic Mysticism
It seems a natural extension to attach a pencil to one of these motors, in fact it seemed to be align with a shared interest both me and Goose have from with the drawn line, such drawings act as post script graphical scores implying the gyrate movements of the pencil. A mark that is […]Read More Drawn
A curious set of actions rather than performance. The artwork expects activity in playfulness, patience, inquisition and listening. To know that everything makes a sound, unique to itself, tuning in to its form and resonance is part of a sensitivity to space, toward the objects and materials around us. By building temporal assemblages, sculpture is subject […]Read More Temporal Landscapes
“creating something—knowledge formation, a sharing, language. In the movement of sound, the making of an exchange is enacted; a place is generated by the temporality of the auditory. Auditory knowledge is a radical epistemological thrust that unfolds as a spatio-temporal event: sound opens up a field of interaction, to become a channel, a fluid, a […]Read More The Object of Sound
5 minute performance: What is , questions of the fleeting grasp of time, of course is the temporal nature of improvised performance. How many performances last 2 minute? A sort of self obligated pressure, that we are implicit within. Is this for the sake of variety we chose to perform for 5 minutes rather than our typical […]Read More Event as sculpture, the duration of objects and the weight of actions.
Installation – spreading outward from the cluster – allowing space for the objects to breath. Upon reflection, i could have gone way further with that idea, spreading the sound further around the whole room, really spatialise the sounds. What might it be like to have an even bigger space with the same 5 actions, spread across the […]Read More Notes on Balance & Harmonic Structures
Saturday evening just passed, we had the pleasure of performing at ‘A Corruption of an Automation – a film fundraiser that was situated in one of the few nightclub space’s in Falmouth. Curiosity surrounded this event particularly for me, I was enthused by the opportunity to take what we have been doing to an audience […]Read More A Corruption of an Automation